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This film should be praised for its performances, particularly McDormand and Rockwell, but it is the brilliantly written screenplay that gives them so much to work with. Three Billboards outside Ebbing, Missouri is another fascinating character piece from writer/director Martin MacDonagh. The film ends with two possible paths, but one path would completely betray the character arc, so it doesn’t make sense to leave it open. In some cases, this can work, but after spending two hours with these people, the question he is asking is a no-brainer. McDonagh chooses an ambiguous ending to his story, one that leaves character plot threads unresolved. If there is an issue with the film, it’s the ending. Mildred has deep personal pain and her motives are admirable, There’s a lot that makes sense in the confines of the story, with the exception of one thing. McDonagh uses his characters and his hyper-violence to tell a deeply personal story, more so than either of his previous features. Dammit, though, they are interesting, as are the supporting players, particularly Peter Dinklage ( Rememory, TV’s Game of Thrones) as a man who takes a liking to Mildred but can’t quite match her level of motivation.
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His characters live by the principle that a character doesn’t have to be likable as long as she is interesting. Martin McDonagh is a very accomplished character storyteller. As the public takes sides in the matter, arguments and violence ramp up and Mildred and Dixon are forced to confront their anger and their past in order to move forward. This brings her to a head with Sheriff Willoughby (Woody Harrelson, Lost in London, TV’s True Detective) and hotheaded officer Dixon (Sam Rockwell, Moon, Poltergeist). McDonagh’s newest film, Three Billboards outside Ebbing, Missouri, introduces us to Mildred (Frances McDormand, Fargo, Hail, Caesar!), a grieving mother who decides to question local law enforcement’s handling of her daughter’s murder case when she rents and erects three billboards in a quiet part of town, asking if the cops have done enough in their search for the killer. But I’ll definitely watch others live in it. His is a violent, darkly comedic world, one this writer wouldn’t want to live in. Writer/Director Martin McDonagh ( In Bruges, Seven Psychopaths) definitely has a flavor to his work. Rated R for violence, language throughout, and some sexual references. Cast: Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, John Hawkes, Peter Dinklageġ15 mins.